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Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Look at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (the actor) initially steals from an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Duel

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Vibe

Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that dips close to rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

The film is in British and Irish cinemas from 17 November.

By

Leslie Tyler

A digital strategist and tech journalist with over a decade of experience covering global innovations and market developments.

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